John Clare (1793―1864) is a self-educated rural poet who in 1820 caught the attention of the literary elite in London. He had been raised on folk ballads, and was influenced by poets such as Scotland’s James Thomson.
He is best known for his detailed descriptions of nature and of farm life, which celebrate God as the creator and sustainer of all we see ― as can be seen in this exerpt from "Nature's Hymn to the Diety":
-----All nature owns with one accord
-----The great and universal Lord:
-----Insect and bird and tree and flower ―
-----The witnesses of every hour ―
-----Are pregnant with this prophecy
-----And 'God is with us', all reply.
-----The first link in the mighty plan
-----Is still ― and God upbraideth man.
After Clare’s initial grand reception, and top-selling first book, the fashion for peasant poets evaporated, and his subsequent collections were virtually ignored. This change in fortune was hard on him, both financially and emotionally.
As his place as a celebrated poet slipped away, he also found the lifestyle he was raised to vanishing. The enclosure movement in Britain took common land, the public was free to grow crops or graze cattle on, and privatized it for use by the aristocracy. These things, plus Clare’s financial and family difficulties, led to bouts of depression and delusions.
Theologically John Clare sided with the Arminian Wesleyans ― particularly disliking Calvinism ― though remaining loyal to the Anglican church. He was appreciative of the Evangelical movement, and it’s focus on caring for the poor ― which he benefitted from in his own life.
In 1841 he was officially declared insane, and spent the rest of his life at St. Andrew’s Asylum, Northampton ― where some believe he wrote his best poetry.
Autumn
The thistledown’s flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red-hot.
The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,
And gossamers twitter, flung from weed unto weed.
Hill-tops like hot iron glitter bright in the sun,
And the rivers we’re eying burn to gold as they run;
Burning hot is the ground, liquid gold is the air;
Whoever looks round sees Eternity there.
*This is the second Kingdom Poets post about John Clare: first post.
Entry written by D.S. Martin. He is the author of five poetry collections including Angelicus (2021, Cascade) ― a book of poems written from the point-of-view of angels. His books are available through Wipf & Stock.
Showing posts with label John Clare. Show all posts
Showing posts with label John Clare. Show all posts
Monday, October 10, 2022
Monday, May 30, 2016
John Clare
John Clare (1793—1864) is known as the "Peasant Poet", because his parents were illiterate, and his father a farm labourer. He is known for poems praising the natural world and God as creator. His 1820 book, Poems Descriptive of Rural Life and Scenery, carried him from obscurity to the attention of London literary society. For a time his work even outsold that of his contemporary John Keats.
As may be sensed in the following poem, he suffered from depression and even delusions, which eventually confined him to an asylum for the final 26 years of his life.
His poetry soon slipped into obscurity; however in recent years, the admiration of poets such as Dylan Thomas, Ted Hughes, John Ashbery, and Seamus Heaney has helped to restore his reputation. He is now considered by many to be one of the most important poets of the 19th century.
I Am!
I am — yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes —
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live — like vapours tossed
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s esteems;
Even the dearest that I loved the best
Are strange — nay, rather, stranger than the rest.
I long for scenes where man hath never trod
A place where woman never smiled or wept
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie
The grass below — above the vaulted sky.
This is the first Kingdom Poets post about John Clare: second post.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
As may be sensed in the following poem, he suffered from depression and even delusions, which eventually confined him to an asylum for the final 26 years of his life.
His poetry soon slipped into obscurity; however in recent years, the admiration of poets such as Dylan Thomas, Ted Hughes, John Ashbery, and Seamus Heaney has helped to restore his reputation. He is now considered by many to be one of the most important poets of the 19th century.
I Am!
I am — yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes —
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live — like vapours tossed
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s esteems;
Even the dearest that I loved the best
Are strange — nay, rather, stranger than the rest.
I long for scenes where man hath never trod
A place where woman never smiled or wept
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie
The grass below — above the vaulted sky.
This is the first Kingdom Poets post about John Clare: second post.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
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