Jacob Stratman is the author of two poetry collections. His first, What I Have I Offer With Two Hands, is part of the Poiema Poetry Series (2019, Cascade). His new release is The Shell of Things (2024, Kelsay Books).
Jill Peláez Baumgaertner of The Christian Century says, “These are strong and sturdy poems,” but she reserves her highest praise for “the stunning, lyrical sequence which describes the author’s residency in Korea where ‘he can only see the shell of things’ as he lives in a new land and language, requiring acts of creation provoked by an unfamiliar setting as he finds his footing and searches for the words to describe what he observes.”
He is a professor and dean at John Brown University in Siloam Springs, Arkansas, where he lives with his wife and two sons. As mentioned above, he and his family spent a year at Handong Global University in Pohang, South Korea, where he taught writing and literature courses.
The following poem is from The Shell of Things.
A Prayer for My 15-Year-Old, Who Is Set Apart
He won’t come out of his room very often—
only to eat what we’ve prepared, only to receive
love that doesn’t always look like anything he wants,
yet time is a friend of the God who creates it.
He won’t come out of his room very often,
or speak in complete sentences or listen
long enough to attend to the beauty of silences
yielded here, prepared just for him. Not yet.
He won’t come out of his room very often,
out of himself very often, but we will wait,
leaving this space empty of our wishes
You will fill with hope, with Your self.
Posted with permission of the poet.
*This is the second Kingdom Poets post about Jacob Stratman: first post.
Entry written by D.S. Martin. He is the author of five poetry collections including Angelicus (2021, Cascade) ― a book of poems written from the point-of-view of angels. His books are available through Wipf & Stock.
Showing posts with label Jacob Stratman. Show all posts
Showing posts with label Jacob Stratman. Show all posts
Monday, July 29, 2024
Monday, November 18, 2019
Jacob Stratman
Jacob Stratman is an Oklahoma poet whose poems have appeared in such journals as Christian Century, Plough Quarterly, Rock & Sling, and The Windhover. He is professor of English at John Brown University in Arkansas, and is chair of the division of Humanities and Social Sciences. He is the editor behind Lessons in Disability: Essays on Teaching with Young Adult Literature (2015) and Teens and the New Religious Landscape (2018) both from McFarland Publishing.
His first poetry collection has just appeared as part of the Poiema Poetry Series from Cascade Books. What I Have I Offer With Two Hands is a collection of poems offering advice to his young sons, but advice they are probably not yet ready to receive. I am privileged to have edited this collection along with the poet. The following poem is from this collection.
For When My Sons Yell At God
Jonah Leaving the Whale Jan Breughel the Elder. Oil on panel (38 x 56 cm) ca. 1600
“It is a childish work—the whale has the head of a dog and Jonah looks suspiciously fresh.”
---www.artbible.info
In candied red, the white-bearded
prophet emerges, hands still clasped in prayer,
clean, really clean, maybe too clean, first-day-
of-school clean, baptism clean. Perhaps it is
a childish painting, the punished coming up
for air after a three-day, divine timeout,
his begging and pleading inside this flesh
box, sincere or not, but he’s out, old and fresh
in a world around him, Breughel is sure
to make clear, swirling blue-black and solid
brown—the earth’s bruising, perhaps a wish
of yellow, healing in the distance, a light
faded behind the eye’s focus. The dogfish
eyes, big and rolling back. The mouth open
like the cave, like the tomb, like the brown creek
carp we refuse to touch, hate to catch, squishy
and formless but counted nonetheless. But
Jonah will dirty himself again after Nineveh,
under the vine, cussing at God telling
God His own business, and he will forget
the welcoming red, the fresh fruit color
of that cloak—the thin (or thinning) clearing
in the background beyond sea and storm,
even the mouth as exit, as release.
He will soon forget to consider how
suspicious it is for a man like him
sitting in death’s darkness for three days
to come out so clean, so bright, so forgiven.
Posted with permission of the poet.
This is the first Kingdom Poets post about Jacob Stratman: second post.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
His first poetry collection has just appeared as part of the Poiema Poetry Series from Cascade Books. What I Have I Offer With Two Hands is a collection of poems offering advice to his young sons, but advice they are probably not yet ready to receive. I am privileged to have edited this collection along with the poet. The following poem is from this collection.
For When My Sons Yell At God
Jonah Leaving the Whale Jan Breughel the Elder. Oil on panel (38 x 56 cm) ca. 1600
“It is a childish work—the whale has the head of a dog and Jonah looks suspiciously fresh.”
---www.artbible.info
In candied red, the white-bearded
prophet emerges, hands still clasped in prayer,
clean, really clean, maybe too clean, first-day-
of-school clean, baptism clean. Perhaps it is
a childish painting, the punished coming up
for air after a three-day, divine timeout,
his begging and pleading inside this flesh
box, sincere or not, but he’s out, old and fresh
in a world around him, Breughel is sure
to make clear, swirling blue-black and solid
brown—the earth’s bruising, perhaps a wish
of yellow, healing in the distance, a light
faded behind the eye’s focus. The dogfish
eyes, big and rolling back. The mouth open
like the cave, like the tomb, like the brown creek
carp we refuse to touch, hate to catch, squishy
and formless but counted nonetheless. But
Jonah will dirty himself again after Nineveh,
under the vine, cussing at God telling
God His own business, and he will forget
the welcoming red, the fresh fruit color
of that cloak—the thin (or thinning) clearing
in the background beyond sea and storm,
even the mouth as exit, as release.
He will soon forget to consider how
suspicious it is for a man like him
sitting in death’s darkness for three days
to come out so clean, so bright, so forgiven.
Posted with permission of the poet.
This is the first Kingdom Poets post about Jacob Stratman: second post.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
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