Boris Pasternak (1890—1960) is a Russian poet, whose father was a painter who taught at the Moscow School of Painting, Sculpture, and Architecture, and whose mother was a concert pianist.
His poetry collections include My Sister, Life (1922), Second Birth (1932), and Selected Poems (1946). Pasternak is the author of just one novel, Doctor Zhivago (1957), for which he won the Nobel Prize.
At the time the Soviet government pressured him into rejecting the award. In a 1958 article interpreting these events, Time Magazine reported, “Pasternak wrote his novel Doctor Zhivago out of a passionate Christian conviction that salvation is possible only through the individual human spirit.” In Israel the novel was criticized as assimilationist, because Pasternak was in favour of his fellow-Jews converting to Christian faith.
After World War II, a series of his Christian poems on Easter themes, were said to have been written as a form of protest against communism.
The following poem draws an unlikely parallel betweeen an actor in a Shakespearean play and Christ fulfilling the role set out for him.
Hamlet
The murmurs ebb; onto the stage I enter.
I am trying, standing in the door,
To discover in the distant echoes
What the coming years may hold in store.
The nocturnal darkness with a thousand
Binoculars is focused onto me.
Take away this cup, O Abba Father,
Everything is possible to Thee.
I am fond of this Thy stubborn project,
And to play my part I am content.
But another drama is in progress,
And, this once, O let me be exempt.
But the plan of action is determined,
And the end irrevocably sealed.
I am alone; all round me drowns in falsehood:
Life is not a walk across a field.
*This is the second Kingdom Poets post about Boris Pasternak:
first post.
Entry written by D.S. Martin. He is the author of five poetry collections including Angelicus (2021, Poiema/Cascade), and three anthologies — available through Wipf & Stock. His new book The Role of the Moon, inspired by the Metaphysical Poets, is forthcoming from Paraclete Press.