Marilyn Nelson is an American poet, translator, children’s book author, professor emeritus at the University of Connecticut, and the former Poet Laureate of Connecticut. She has won several awards, including the Ruth Lilly Poetry Prize, the Denise Levertov Award, and the Frost Medal.
Mark Doty has said, “Nelson’s bold and sure poems long for heaven and—happily for us—continue a lifelong affair with the occasions of earth.”
In an interview with Jeanne Murray Walker she said, “I’m not particularly interested in writing about my life. I’m one of the lucky ones, with too happy a life for poetry.” This has led her to researching and writing about the lives of such people as Emmett Till, George Washington Carver, Venture Smith, and some lesser-known people.
The following poem is from For The Body (Louisiana State University Press, 1978).
Churchgoing
The Lutherans sit stolidly in rows;
only their children feel the holy ghost
that makes them jerk and bobble and almost
destroys the pious atmosphere for those
whose reverence bows their backs as if in work.
The congregation sits, or stands to sing,
or chants the dusty creeds automaton.
Their voices drone like engines, on and on,
and they remain untouched by everything;
confession, praise, or likewise, giving thanks.
The organ that they saved years to afford
repeats the Sunday rhythms song by song,
slow lips recite the credo, smother yawns,
and ask forgiveness for being so bored.
I, too, am wavering on the edge of sleep,
and ask myself again why I have come
to probe the ruins of this dying cult.
I come bearing the cancer of my doubt
as superstitious suffering women come
to touch the magic hem of a saint's robe.
Yet this has served two centuries of men
as more than superstitious cant; they died
believing simply. Women, satisfied
that this was truth, were racked and burned with them
for empty words we moderns merely chant.
We sing a spiritual as the last song,
and we are moved by a peculiar grace
that settles a new aura on the place.
This simple melody, though sung all wrong,
captures exactly what I think is faith.
Were you there when they crucified my Lord?
That slaves should suffer in his agony!
That Christian, slave-owning hypocrisy
nevertheless was by these slaves ignored
as they pitied the poor body of Christ!
Oh, sometimes it causes me to tremble,
that they believe most, who so much have lost.
To be a Christian one must bear a cross.
I think belief is given to the simple
as recompense for what they do not know.
I sit alone, tormented in my heart
by fighting angels, one group black, one white.
The victory is uncertain, but tonight
I'll lie awake again, and try to start
finding the black way back to what we've lost.
*This is the third Kingdom Poets post about Marilyn Nelson:
first post, second post.
Entry written by D.S. Martin. He is the author of five poetry collections including Angelicus (2021, Poiema/Cascade), and three anthologies — available through Wipf & Stock. His new book The Role of the Moon, inspired by the Metaphysical Poets, is forthcoming from Paraclete Press.