Joshua Sylvester (1563―1618) is best known for his popular translation of the creation epic Divine Weekes and Workes by the French Huguenot poet Guillaume de Salluste du Bartas. This book influenced many English poets, including John Milton.
This was an ambitious project to undertake, considering that Sylvester ― the son of a clothier in Kent ― had to dedicate his time to trade; he was highly involved with The Company of Merchant Adventurers of London, exporting cloth around the world.
Even though his poetic output was small, he was a popular poet of his day. He received a part-time pension as a poet at the court of Henry Frederick, the Prince of Wales around 1606.The Sacred Workes of that Famous Poet Silvester: Gathered into one volume was published in London in 1620.
The Father
Alpha and Omega, God alone:
Eloi, My God, the Holy-One;
Whose Power is Omnipotence:
Whose Wisdom is Omniscience:
Whose Being is All Sovereign Bliss:
Whose Work Perfection’s Fullness is;
Under All things, not under-cast;
Over All things, not over-placed;
Within All things, not there included;
Without All things, not thence excluded:
Above All, over All things reigning;
Beneath All, All things aye sustaining:
Without All, All containing sole:
Within All, filling full the Whole:
Within All, nowhere comprehended;
Without All, nowhere more extended;
Under, by nothing over-topped:
Over, by nothing under-propped:
Unmoved, Thou movest the World about;
Unplacated, Within it, or Without:
Unchanged, timeless, Time Thou changest:
The unstable, Thou, still stable, rangest;
No outward Force, nor inward Fate,
Can Thy dread Essence alterate:
Today, Tomorrow, yesterday,
With Thee are One, and instant aye;
Aye undivided, ended never:
Today, with Thee, endures forever.
Thou, Father, madest this mighty Ball;
Of nothing thou createdest All,
After the Idea of thy Mind,
Conferring Form to every kind.
Thou wert, Thou art, Thou wilt be ever:
And Thine Elect, rejectest never.
Entry written by D.S. Martin. He is the author of five poetry collections including Angelicus (2021, Cascade) ― a book of poems written from the point-of-view of angels. His books are available through Wipf & Stock.
Showing posts with label Joshua Sylvester. Show all posts
Showing posts with label Joshua Sylvester. Show all posts
Monday, September 12, 2022
Monday, November 5, 2018
Guillaume de Salluste du Bartas
Guillaume de Salluste du Bartas (1544—1590) is a French Huguenot, who served in the court of Henri IV, from well before he came to the French throne.
Du Bartas’ divine poetry was appreciated across Europe during the sixteenth and seventeenth centuries. At the turn of that century he was still the most esteemed poet in France, although literary fashions changed later in the 1600s. Because of his Protestant views, his influence was felt much longer in England — where he had made a significant impression on Philip Sydney, Edmund Spenser, and John Milton. James VI of Scotland’s enthusiasm for du Bartas’ verse also spread the poet’s fame.
He also made an impact on the Metaphysical poets. C.S. Lewis wrote in English Literature in the 16th Century, “…no one can point to a moment at which poetry began to be Metaphysical nor to a poet who made it so; but of all poets perhaps Guillaume de Salluste du Bartas… comes nearest to that position.”
The following is from Joshua Sylvester's translation, which appeared in editions from 1608 to 1641, and is part of the first poem from The Divine Weeks (Part 1—Building The World)
from The First Day
No sooner said He, “Be there light,” but lo!
The formless lump to perfect form ‘gan grow,
And all illustred with light’s radiant shine,
Doffed mourning weeds and decked it passing fine.
All hail, pure lamp, bright, sacred and excelling;
Sorrow and care, darkness and dread repelling;
The world’s great taper, wicked men’s just terror,
Mother of truth, true beauty’s only mirror—
God’s eldest daughter! O, how thou art full
Of grace and goodness! O, how beautiful!
Since thy great Parent’s all-discerning eye
Doth judge thee so, and since His Majesty—
Thy glorious Maker—in His sacred lays
Can do no less than sing thy modest praise.
This post was suggested by my friend Burl Horniachek.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Du Bartas’ divine poetry was appreciated across Europe during the sixteenth and seventeenth centuries. At the turn of that century he was still the most esteemed poet in France, although literary fashions changed later in the 1600s. Because of his Protestant views, his influence was felt much longer in England — where he had made a significant impression on Philip Sydney, Edmund Spenser, and John Milton. James VI of Scotland’s enthusiasm for du Bartas’ verse also spread the poet’s fame.
He also made an impact on the Metaphysical poets. C.S. Lewis wrote in English Literature in the 16th Century, “…no one can point to a moment at which poetry began to be Metaphysical nor to a poet who made it so; but of all poets perhaps Guillaume de Salluste du Bartas… comes nearest to that position.”
The following is from Joshua Sylvester's translation, which appeared in editions from 1608 to 1641, and is part of the first poem from The Divine Weeks (Part 1—Building The World)
from The First Day
No sooner said He, “Be there light,” but lo!
The formless lump to perfect form ‘gan grow,
And all illustred with light’s radiant shine,
Doffed mourning weeds and decked it passing fine.
All hail, pure lamp, bright, sacred and excelling;
Sorrow and care, darkness and dread repelling;
The world’s great taper, wicked men’s just terror,
Mother of truth, true beauty’s only mirror—
God’s eldest daughter! O, how thou art full
Of grace and goodness! O, how beautiful!
Since thy great Parent’s all-discerning eye
Doth judge thee so, and since His Majesty—
Thy glorious Maker—in His sacred lays
Can do no less than sing thy modest praise.
This post was suggested by my friend Burl Horniachek.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
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