Marjorie Pickthall (1883―1922) is a writer and poet who served as an ambulance driver during WWI. At one time she was championed by conservative critics as the best Canadian poet of her generation ― valued as a moderate voice between populist poets such as Robert Service, and the influence of the modernists. Her reputation, however, has suffered the same fate as many Victorian and early 20th century poets, whose work fell out of fashion.
When she was still a 15-year-old student at Toronto’s Bishop Strachan School, one of her stories appeared in the major newspaper The Globe. While in her early twenties, she authored three adventure novels. Her writing also appeared in journals such as Atlantic Monthly, Harper’s, and Scribner’s. Her first poetry collection, The Drift of Pinions (1913) was the first of five books she produced during the final decade of her life.
Although she had moved to Vancouver, her body is buried in St. James Cemetery, Toronto.
Adam and Eve
In the high noon of the heavenly garden
Where the angels sunned with the birds,
Beauty, before their hearts could harden,
Had taught them heavenly words.
When they fled in the burning weather
And nothing dawned but a dream,
Beauty fasted their hands together
And cooled them at her stream.
And when day wearied and night grew stronger,
And they slept as the beautiful must,
Then she bided a little longer,
And blossomed from their dust.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Monday, June 15, 2020
Monday, June 8, 2020
Fenton Johnson
Fenton Johnson (1888―1958) is a Chicago poet, playwright and writer, who was a significant forerunner to the Harlem Renaissance. By the time he was nineteen, several of his plays had been performed at various Chicago theatres. His early aspiration was to become a pastor, but in the end he attended journalism school at Columbia University. He went on to teach at the State University of Louisville, in Kentucky, and to work as a journalist in New York.
The first of his three poetry collections, A Little Dreaming, appeared in 1913. Many of his poems are written in dialect, which was popular at the time, and enabled him to shed light on his observations of American black culture, and on racial issues. His short story collection Tales of Darkest America appeared in 1920, as did his essay collection For the Highest Good. He edited two little magazines: the Champion, and Favorite, and was an early contributor to Poetry magazine.
He never gained the recognition of a major writer; in the 1930s his literary output dwindled to a trickle.
Declaration
I love the world and all therein:
The panting, darkened souls who seek
A brighter light, a sweeter hope,
From those who drink the bubbling wine
And eat the flesh of tender fowl;
I love the pampered son of wealth,
And pour on him my pity's oil,
This world our God hath made for all, —
The East, the West, the black, the white,
The rich, the poor, the wise, the dumb, —
And even beasts may share the fruit;
No prison wall, but sunlight's glow,
No rods of steel, but arms of love,
For all that creep and walk and strive
And wear upon their countenance
Creation's mark, the kiss of God.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
The first of his three poetry collections, A Little Dreaming, appeared in 1913. Many of his poems are written in dialect, which was popular at the time, and enabled him to shed light on his observations of American black culture, and on racial issues. His short story collection Tales of Darkest America appeared in 1920, as did his essay collection For the Highest Good. He edited two little magazines: the Champion, and Favorite, and was an early contributor to Poetry magazine.
He never gained the recognition of a major writer; in the 1930s his literary output dwindled to a trickle.
Declaration
I love the world and all therein:
The panting, darkened souls who seek
A brighter light, a sweeter hope,
From those who drink the bubbling wine
And eat the flesh of tender fowl;
I love the pampered son of wealth,
And pour on him my pity's oil,
This world our God hath made for all, —
The East, the West, the black, the white,
The rich, the poor, the wise, the dumb, —
And even beasts may share the fruit;
No prison wall, but sunlight's glow,
No rods of steel, but arms of love,
For all that creep and walk and strive
And wear upon their countenance
Creation's mark, the kiss of God.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Labels:
Fenton Johnson
Monday, June 1, 2020
Miho Nonaka
Miho Nonaka is a bilingual poet from Tokyo. Her first book of Japanese poems, Garasu no tsuki, was a finalist for Japan’s national poetry prize, and her poetry in English has been nominated for a Pushcart Prize. She is one of the poets I featured in In a Strange Land: Introducing Ten Kingdom Poets (2019, Poiema/Cascade).
Her first full-length collection, The Museum of Small Bones (2020, Ashland Poetry Series) has just been published. Her poems and essays have appeared in various journals and anthologies, including Missouri Review, Southern Review, Kenyon Review, Ploughshares, American Letters & Commentary, Iowa Review, Tin House, and American Odysseys: Writings by New Americans (Dalkey Archive Press, 2013). She is an associate professor of English and creative writing at Wheaton College, in Illinois.
The following poem is from In a Strange Land.
Water and Fire
No confusion, not drunk, never
fear when you feel
the water bubbling
from within. Each soul
is a well, set apart, alone.
The sun is directly over
head, and a stranger
waits for you at the well,
thirsty. He has nothing to draw
with, and the well is deep.
So is every other well,
he reminds you. It’s not up to you
to decide whether you’ve
suffered long enough.
He knows your name,
doesn’t he? Love comes
in tongues of fire. Flames
won’t set you ablaze;
you will be unconsumed.
A pair of wings brush past
your eyes in silver flickers
as the sound of water nears.
Open your thirsty mouth.
He is offering your very self
in a glass, the same water that
connects every well flowing
between Father and Son.
The rushing water reverses
something of Babel
in each of us: an upturned
hourglass measuring
the immeasurable, holding
our shattered lives together.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Her first full-length collection, The Museum of Small Bones (2020, Ashland Poetry Series) has just been published. Her poems and essays have appeared in various journals and anthologies, including Missouri Review, Southern Review, Kenyon Review, Ploughshares, American Letters & Commentary, Iowa Review, Tin House, and American Odysseys: Writings by New Americans (Dalkey Archive Press, 2013). She is an associate professor of English and creative writing at Wheaton College, in Illinois.
The following poem is from In a Strange Land.
Water and Fire
No confusion, not drunk, never
fear when you feel
the water bubbling
from within. Each soul
is a well, set apart, alone.
The sun is directly over
head, and a stranger
waits for you at the well,
thirsty. He has nothing to draw
with, and the well is deep.
So is every other well,
he reminds you. It’s not up to you
to decide whether you’ve
suffered long enough.
He knows your name,
doesn’t he? Love comes
in tongues of fire. Flames
won’t set you ablaze;
you will be unconsumed.
A pair of wings brush past
your eyes in silver flickers
as the sound of water nears.
Open your thirsty mouth.
He is offering your very self
in a glass, the same water that
connects every well flowing
between Father and Son.
The rushing water reverses
something of Babel
in each of us: an upturned
hourglass measuring
the immeasurable, holding
our shattered lives together.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Labels:
D.S. Martin,
Miho Nonaka
Monday, May 25, 2020
Richard Crashaw*
Richard Crashaw (c.1613—1649) dedicated himself to become a writer of Christian poetry in 1633 after having read George Herbert’s book The Temple, which had recently appeared. Crashaw’s first poetry collection Epigrammatum Sacrorum Liber, published just one year later, was written in Latin. He completed his Bachelor’s and Master’s degrees at Cambridge, where he became friends with the poet, Abraham Cowley.
Curiously, Crashaw was raised in a distinctly anti-Catholic family, but became a Catholic himself, well after his father’s death. In Rome, through an introduction by the queen, he became friends with Cardinal Giovanni Battista Maria Pallotta, and served as his secretary from 1646 to 1649; dismayed with those close to the cardinal, he denounced their behaviour, which led to the cardinal sending Crashaw elsewhere. There is suspicion that when Crashaw died, a couple weeks later, that he had been poisoned by those who had become his enemies.
His book Steps to the Temple. Sacred Poems, With Other Delights of the Muses was published in 1646; an extended edition appeared in 1648.
But Men Loved Darkness Rather Than Light
The world's light shines, shine as it will,
The world will love its darkness still.
I doubt though when the world's in hell,
It will not love its darkness half so well.
The Recommendation
These houres, and that which hovers o’re my End,
Into thy hands, and hart, lord, I commend.
Take Both to Thine Account, that I and mine
In that Hour, and in these, may be all thine.
That as I dedicate my devoutest Breath
To make a kind of Life for my lord’s Death,
So from his living, and life-giving Death,
My dying Life may draw a new, and never fleeting Breath.
*This is the second Kingdom Poets post about Richard Crashaw: first post, third post.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Curiously, Crashaw was raised in a distinctly anti-Catholic family, but became a Catholic himself, well after his father’s death. In Rome, through an introduction by the queen, he became friends with Cardinal Giovanni Battista Maria Pallotta, and served as his secretary from 1646 to 1649; dismayed with those close to the cardinal, he denounced their behaviour, which led to the cardinal sending Crashaw elsewhere. There is suspicion that when Crashaw died, a couple weeks later, that he had been poisoned by those who had become his enemies.
His book Steps to the Temple. Sacred Poems, With Other Delights of the Muses was published in 1646; an extended edition appeared in 1648.
But Men Loved Darkness Rather Than Light
The world's light shines, shine as it will,
The world will love its darkness still.
I doubt though when the world's in hell,
It will not love its darkness half so well.
The Recommendation
These houres, and that which hovers o’re my End,
Into thy hands, and hart, lord, I commend.
Take Both to Thine Account, that I and mine
In that Hour, and in these, may be all thine.
That as I dedicate my devoutest Breath
To make a kind of Life for my lord’s Death,
So from his living, and life-giving Death,
My dying Life may draw a new, and never fleeting Breath.
*This is the second Kingdom Poets post about Richard Crashaw: first post, third post.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Monday, May 18, 2020
Carolyn Forché
Carolyn Forché was raised near Detroit in a Slovak/Irish home that was immersed in the Catholic faith. In adolescence she rebelled against the harsh Catholicism of her family, school and church, and began reading Protestant theologians ― seeking to make her faith her own. During her time at university she wandered, unsettled and distant from the surety of her isolated Catholic community, dabbling in various religious traditions.
In 1978 she travelled to El Salvador ― on a Guggenheim Fellowship with Amnesty International ― believing this was something God was asking her to do. She met the poet and priest Óscar Romero, and the self-sacrificing, joyful, oppressed Salvadoran people. This transformed her spiritual life, and drew her back into the Catholic church. Later, when she returned to the US, she tried to be a journalist, to communicate what was going on in El Salvador, as Óscar Romero had asked her to do. She failed; however, she had been writing poetry, and through it she began to shed light on the atrocities.
She had won the Yale Younger Poets Prize for her first book Gathering the Tribes (1975), and through her new book, The Country Between Us (1981) fulfilled the commission Romero gave her prior to his assassination in 1980.
She has since coined the term “Poetry of Witness,” and edited the anthology of politically-charged poems Against Forgetting (1993). Her fifth collection, In the Lateness of the World (2020), has just been published by Penguin Press.
The following poem is from her collection Blue Hour (2003)
Prayer
Begin again among the poorest, moments off, in another
-----time and place.
Belongings gathered in the last hour, visible invisible:
Tin spoon, teacup, tremble of tray, carpet hanging from
-----sorrow’s balcony.
Say goodbye to everything. With a wave of your hand,
-----gesture to all you have known.
Begin with bread torn from bread, beans given to the
-----hungriest, a carcass of flies.
Take the polished stillness from a locked church, prayer
-----notes left between stones.
Answer them and hoist in your net voices from the
-----troubled hours.
Sleep only when the least among them sleeps, and then
-----only until the birds.
Make the flatbed truck your time and place. make the least
-----daily wage your value.
Language will rise then like language from the mouth of a
-----still river. No one’s mouth.
Bring night to your imaginings. bring the darkest passage
-----of your holy book.
This post was suggested by my friend Burl Horniachek.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
In 1978 she travelled to El Salvador ― on a Guggenheim Fellowship with Amnesty International ― believing this was something God was asking her to do. She met the poet and priest Óscar Romero, and the self-sacrificing, joyful, oppressed Salvadoran people. This transformed her spiritual life, and drew her back into the Catholic church. Later, when she returned to the US, she tried to be a journalist, to communicate what was going on in El Salvador, as Óscar Romero had asked her to do. She failed; however, she had been writing poetry, and through it she began to shed light on the atrocities.
She had won the Yale Younger Poets Prize for her first book Gathering the Tribes (1975), and through her new book, The Country Between Us (1981) fulfilled the commission Romero gave her prior to his assassination in 1980.
She has since coined the term “Poetry of Witness,” and edited the anthology of politically-charged poems Against Forgetting (1993). Her fifth collection, In the Lateness of the World (2020), has just been published by Penguin Press.
The following poem is from her collection Blue Hour (2003)
Prayer
Begin again among the poorest, moments off, in another
-----time and place.
Belongings gathered in the last hour, visible invisible:
Tin spoon, teacup, tremble of tray, carpet hanging from
-----sorrow’s balcony.
Say goodbye to everything. With a wave of your hand,
-----gesture to all you have known.
Begin with bread torn from bread, beans given to the
-----hungriest, a carcass of flies.
Take the polished stillness from a locked church, prayer
-----notes left between stones.
Answer them and hoist in your net voices from the
-----troubled hours.
Sleep only when the least among them sleeps, and then
-----only until the birds.
Make the flatbed truck your time and place. make the least
-----daily wage your value.
Language will rise then like language from the mouth of a
-----still river. No one’s mouth.
Bring night to your imaginings. bring the darkest passage
-----of your holy book.
This post was suggested by my friend Burl Horniachek.
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Monday, May 11, 2020
Richard Baxter
Richard Baxter (1615―1691) is an English poet, theologian and Puritan church leader. His ministry in the English town of Kidderminster, where he was vicar from 1641 to 1661, was transformative.
He was an advisor to Oliver Cromwell and served as chaplain to Parliamentary soldiers in the English Civil War. Although he was an Anglican minister, he became a nonconformist, and was forbidden to preach. In 1685, even though he was suffering from tuberculosis, he was sentenced to eighteen months in prison.
His autobiography, The Reformed Pastor (1656), is Baxter’s encouragement to other pastors, and his guidance to them. His book, whose title I’ll shorten to simply call Poetical Fragments appeared in 1681.
He wants not friends that hath thy love
He wants not friends that hath thy love,
And may converse and walk with thee
And with thy saints, here and above,
With whom forever I must be.
Within the fellowship of saints
Is wisdom, safety and delight;
And when my heart declines and faints,
It’s raisèd by their heat and light.
As for my friends, they are not lost:
The several vessels of thy fleet
Though parted now, by tempests tossed,
Shall safely in the haven meet.
We still are centred all in thee,
Though distant, members of one Head;
Within one family we be,
And by one faith and spirit led.
Before thy throne we daily meet
As joint-petitioners to thee;
In spirit each the other greet,
And shall again each other see.
The heavenly hosts, world without end,
Shall be my company above;
And thou, my best and surest Friend,
Who shall divide me from thy love?
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
He was an advisor to Oliver Cromwell and served as chaplain to Parliamentary soldiers in the English Civil War. Although he was an Anglican minister, he became a nonconformist, and was forbidden to preach. In 1685, even though he was suffering from tuberculosis, he was sentenced to eighteen months in prison.
His autobiography, The Reformed Pastor (1656), is Baxter’s encouragement to other pastors, and his guidance to them. His book, whose title I’ll shorten to simply call Poetical Fragments appeared in 1681.
He wants not friends that hath thy love
He wants not friends that hath thy love,
And may converse and walk with thee
And with thy saints, here and above,
With whom forever I must be.
Within the fellowship of saints
Is wisdom, safety and delight;
And when my heart declines and faints,
It’s raisèd by their heat and light.
As for my friends, they are not lost:
The several vessels of thy fleet
Though parted now, by tempests tossed,
Shall safely in the haven meet.
We still are centred all in thee,
Though distant, members of one Head;
Within one family we be,
And by one faith and spirit led.
Before thy throne we daily meet
As joint-petitioners to thee;
In spirit each the other greet,
And shall again each other see.
The heavenly hosts, world without end,
Shall be my company above;
And thou, my best and surest Friend,
Who shall divide me from thy love?
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
Labels:
Richard Baxter
Monday, May 4, 2020
Charles Sangster
Charles Sangster (1822―1893) is a Canadian poet, born near Kingston, Upper Canada (now Ontario). When his first collection The St. Lawrence and the Saguenay… appeared in 1856, it was considered by many to be the best book of poetry yet published in Canada. He was praised in the London press as “the Wordsworth of Canada.” His second volume Hesperus… followed in 1860, and was considered to be even better.
His life circumstances, however, began to hinder his literary progress. He began to suffer from depression and a nervous disorder. His position with the Post Office Department in Ottawa left him little time for his poetic pursuits ― and both his first wife, and second wife had died, leaving him with three children to raise.
The Dictionary of Canadian Biography says of him, “By temperament quiet and introspective, Charles Sangster strove for harmony in his relationship with humanity and for spiritual fulfilment in God’s will.”
Henry’s Grave
Standing beside the consecrated mound,
-----That marked the narrow grave wherein he lay,
I thought upon the Trumpet’s welcome sound,
-----That would arouse him in the latter day.
I thought of the young spirit, that had fled
-----Beyond the keenest search of human eye—
Beyond the limits of a world of dread—
-----Beyond the reach of man’s philosophy.
And as I strove to lift the distant veil—
-----To track the spirit in its upward flight—
My mind was awed—my vision seemed to fail,
-----And all became confused as blackest night!
I was an atom of mere mortal mould,
-----Too weak to pierce the depths that soul had trod;
Backward to earth my wandering senses rolled,
-----And my eye rested on the crumbling sod—
Part of myself—poor perishable clay!
-----The child whose corse beneath my feet did lie,
Was, like myself, but mortal, yesterday,
-----And now, a dweller with the blest on high!
Oh! Mystery of Mysteries! Oh, Death!
-----I sit and muse in deep solemnity,
And wonder how the dust that perisheth
-----Must pass to life eternal but through thee!
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
His life circumstances, however, began to hinder his literary progress. He began to suffer from depression and a nervous disorder. His position with the Post Office Department in Ottawa left him little time for his poetic pursuits ― and both his first wife, and second wife had died, leaving him with three children to raise.
The Dictionary of Canadian Biography says of him, “By temperament quiet and introspective, Charles Sangster strove for harmony in his relationship with humanity and for spiritual fulfilment in God’s will.”
Henry’s Grave
Standing beside the consecrated mound,
-----That marked the narrow grave wherein he lay,
I thought upon the Trumpet’s welcome sound,
-----That would arouse him in the latter day.
I thought of the young spirit, that had fled
-----Beyond the keenest search of human eye—
Beyond the limits of a world of dread—
-----Beyond the reach of man’s philosophy.
And as I strove to lift the distant veil—
-----To track the spirit in its upward flight—
My mind was awed—my vision seemed to fail,
-----And all became confused as blackest night!
I was an atom of mere mortal mould,
-----Too weak to pierce the depths that soul had trod;
Backward to earth my wandering senses rolled,
-----And my eye rested on the crumbling sod—
Part of myself—poor perishable clay!
-----The child whose corse beneath my feet did lie,
Was, like myself, but mortal, yesterday,
-----And now, a dweller with the blest on high!
Oh! Mystery of Mysteries! Oh, Death!
-----I sit and muse in deep solemnity,
And wonder how the dust that perisheth
-----Must pass to life eternal but through thee!
Entry written by D.S. Martin. His latest poetry collection is Ampersand (2018, Cascade). His books are available through Amazon, and Wipf & Stock, including the anthologies The Turning Aside, and Adam, Eve, & the Riders of the Apocalypse.
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