Martin Luther (1483—1546) is the figure most-closely identified with the Protestant Reformation. It was 500 years ago — on October 31, 1517 — that he nailed his 95 Theses to the door of the Castle Church in Wittenberg. It was not Luther’s intention to separate from the Catholic Church, but to draw to the attention of its leaders that some of its common teachings were contradicting what the Bible teaches.
In particular, the teaching that people could have the souls of their departed loved ones released from Purgatory through a donation to the Church, was false and undermined true faith. Luther realized that Scripture expresses, “For in the gospel the righteousness of God is revealed—a righteousness that is by faith from first to last, just as it is written: ‘The righteous will live by faith.’” (Romans 1:17)
A recent article from Christianity Today begins:
----"In the sixteenth century, the world was divided about Martin
----Luther. One Catholic thought Martin Luther was a "demon in
----the appearance of a man." Another who first questioned Luther's
----theology later declared, 'He alone is right!'
----"In our day, nearly 500 years hence, the verdict is nearly
----unanimous to the good. Both Catholics and Protestants affirm
----he was not only right about a great deal, but he changed the
----course of Western history for the better."
In other words, celebrating the anniversary of the Reformation is not to further division between Protestants and Catholics, but to remember Luther, and the other reformers, who have helped all of us in our desire to follow the truth.
Come, Holy Spirit, God and Lord
Come, Holy Spirit, God and Lord!
In your believers’ hearts be stored
The fullness of your grace and light;
Your burning love in them ignite.
O Lord, what has your radiance done!
Within the faith you’ve made as one
People and realms of ev’ry tongue!
For this, O Lord, your praises e’er be sung!
Alleluia! Alleluia!
O Holy Light, Shield Supreme!
The Word of life upon us beam
And teach us all the highest art—
To call God, “Father,” from the heart.
O Lord, keep us from falsehood free;
Let Jesus our sole master be,
That with a faith correct and right
We place our trust in him with all our might.
Alleluia! Alleluia!
O Holy Fire, Cheer so sweet!
Help us, with joy and cheer replete,
To serve you steadfast, come what may,
Nor by our trials be driven away.
O Lord, lend power for the fight,
Repress for us Old Adam’s fright,
That we as knights wage battle brave,
Press on to you in heaven through grief and grave.
Alleluia! Alleluia!
*This is the second Kingdom Poets post about Martin Luther: first post.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
Monday, October 30, 2017
Monday, October 23, 2017
Richard Osler
Richard Osler lives on Vancouver Island, where he facilitates weekly poetry workshops at Cedars — an addiction recovery centre. He also leads poetry writing retreats, and poetry as prayer retreats — primarily in western Canada, but recently completed a ten-day retreat in Italy. He has published several chapbooks, including Where the Water Lives (2012, Leaf Press). His first full-length poetry collection Hyaena Season was published by Quattro Books in 2016.
Before being drawn to poetry, Richard worked as a business journalist for the Financial Post. For nine years, he was a business columnist for the CBC Radio program Morningside with Peter Gzowski. Some of his nonfiction work appears in a volume of Gzowski’s Morningside Papers.
Some of Richard’s most important influences include novelist Sir Laurens van der Post — poets David Whyte, and Patrick Lane — and poetry therapist John Fox. Richard Osler is one of the poets included in my soon-to-be-released anthology Adam, Eve, & the Riders of the Apocalypse (2017, Cascade).
What I Want
The copper lake, blue-green,
where the cinnamon bear lopes up the scree
stopping once to look back before its final bound
into the trees. I want the trees and what they say
back to wind, to rain and thunder. I want thunder
and lightning’s crooked light. And I want the morning,
sloe-eyed, and night stuffed back inside its purse.
I want the boat, the storm and the man in the stern
who calms it; the water before it turns to wine.
I want the late-day light, the way it streams
across the bridge suspended over the narrows
and the look of the sun-struck woman crossing over.
I want her brown eyes looking into her lover’s blue.
I want to say to Galway Kinnell what is is not enough
when what is is war or famine, the bruised child
or the wife in pajamas, after breakfast, who tells
her husband of more than twenty years:
his love
----------is not
---------------------enough.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
Before being drawn to poetry, Richard worked as a business journalist for the Financial Post. For nine years, he was a business columnist for the CBC Radio program Morningside with Peter Gzowski. Some of his nonfiction work appears in a volume of Gzowski’s Morningside Papers.
Some of Richard’s most important influences include novelist Sir Laurens van der Post — poets David Whyte, and Patrick Lane — and poetry therapist John Fox. Richard Osler is one of the poets included in my soon-to-be-released anthology Adam, Eve, & the Riders of the Apocalypse (2017, Cascade).
What I Want
The copper lake, blue-green,
where the cinnamon bear lopes up the scree
stopping once to look back before its final bound
into the trees. I want the trees and what they say
back to wind, to rain and thunder. I want thunder
and lightning’s crooked light. And I want the morning,
sloe-eyed, and night stuffed back inside its purse.
I want the boat, the storm and the man in the stern
who calms it; the water before it turns to wine.
I want the late-day light, the way it streams
across the bridge suspended over the narrows
and the look of the sun-struck woman crossing over.
I want her brown eyes looking into her lover’s blue.
I want to say to Galway Kinnell what is is not enough
when what is is war or famine, the bruised child
or the wife in pajamas, after breakfast, who tells
her husband of more than twenty years:
his love
----------is not
---------------------enough.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
Monday, October 16, 2017
R.C. Trench
R.C. Trench (1807—1886) is a former Archbishop, a philologist and a poet. He was born in Dublin, and graduated from Trinity College, Cambridge. His first collection The Story of Justin Martyr and Other Poems was favourably received in 1835. This and his other early collections demonstrated the influence of Wordsworth upon his writing. His 1851 book The Study of Words established his reputation as a philologist. He was also influential in the eventual development of the Oxford English Dictionary.
In 1856 Trench became the Dean of Westminster Abbey, and in 1864 the Archbishop of Dublin. His grave is in the central nave of Westminster Abbey where a plaque in Latin declares:
----"In memory of Richard Chenevix Trench, Dean of this church for
----7 years, Archbishop of Dublin for 21 years, who, captivated by
----the love of eternal truth in Christ, sang of its most holy
----beauty in his poetry and illuminated it in his expositions, and,
----in times of joy, in times of trouble, living and dying, he
----devoted himself to it with a singular and unimpaired
----faithfulness. His family erected this monument in thankfulness
----to God. He died in the year of salvation 1886, aged 78".
Sonnet 3
Spent in Thy presence will prevail to make —
What heavy burdens from our bosoms take,
What parchèd grounds refresh, as with a shower!
We kneel, and all around us seems to lower;
We rise, and all, the distant and the near,
Stands forth in sunny outline, brave and clear;
We kneel how weak, we rise how full of power!
Why, therefore, should we do ourselves this wrong,
Or others — that we are not always strong;
That we are ever overborne with care;
That we should ever weak or heartless be,
Anxious or troubled, when with us is prayer,
And joy, and strength, and courage, are with Thee?
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
In 1856 Trench became the Dean of Westminster Abbey, and in 1864 the Archbishop of Dublin. His grave is in the central nave of Westminster Abbey where a plaque in Latin declares:
----"In memory of Richard Chenevix Trench, Dean of this church for
----7 years, Archbishop of Dublin for 21 years, who, captivated by
----the love of eternal truth in Christ, sang of its most holy
----beauty in his poetry and illuminated it in his expositions, and,
----in times of joy, in times of trouble, living and dying, he
----devoted himself to it with a singular and unimpaired
----faithfulness. His family erected this monument in thankfulness
----to God. He died in the year of salvation 1886, aged 78".
Sonnet 3
Spent in Thy presence will prevail to make —
What heavy burdens from our bosoms take,
What parchèd grounds refresh, as with a shower!
We kneel, and all around us seems to lower;
We rise, and all, the distant and the near,
Stands forth in sunny outline, brave and clear;
We kneel how weak, we rise how full of power!
Why, therefore, should we do ourselves this wrong,
Or others — that we are not always strong;
That we are ever overborne with care;
That we should ever weak or heartless be,
Anxious or troubled, when with us is prayer,
And joy, and strength, and courage, are with Thee?
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
Monday, October 9, 2017
John Poch
John Poch is the author of four poetry collections, the newest of which, Fix Quiet (2015, St. Augustine’s Press), won the 2014 New Criterion Poetry Prize.
My first connection with his poetry was through the CD collection Poetry on Record which brings together recordings of 98 different poets reading their own work — including such early voices as Tennyson, Whitman, Yeats and Frost — and contemporary poets such as Li-Young Lee and Carolyn Forché. Poch’s recording, from 2004, has him reading his poem “Simon Peter” which originally appeared in the magazine, America.
He is the founding editor of the journal 32 Poems, and teaches at Texas Tech University. The following poem first appeared in Blackbird.
John's Christ
The auctioneer commits his little gaffe
when his helpers lift the latch-hook tapestry
of Leonardo’s Christian masterpiece:
The Large Supper. The waiting bidders laugh.
And though the latest spiritual fad has raptured
a populace of novel novel-lovers,
DaVinci’s purpose is better left to others.
But here at our local auction I am captured,
wanting to lean, like John, away from the master,
get some perspective on His hands, the gist
of one opening, one closing, not a fist,
His arms apart, beholding, Jesus’ gesture—
over his empty plate and the rag-tag cast—
preparing for the word, large, or last.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
My first connection with his poetry was through the CD collection Poetry on Record which brings together recordings of 98 different poets reading their own work — including such early voices as Tennyson, Whitman, Yeats and Frost — and contemporary poets such as Li-Young Lee and Carolyn Forché. Poch’s recording, from 2004, has him reading his poem “Simon Peter” which originally appeared in the magazine, America.
He is the founding editor of the journal 32 Poems, and teaches at Texas Tech University. The following poem first appeared in Blackbird.
John's Christ
The auctioneer commits his little gaffe
when his helpers lift the latch-hook tapestry
of Leonardo’s Christian masterpiece:
The Large Supper. The waiting bidders laugh.
And though the latest spiritual fad has raptured
a populace of novel novel-lovers,
DaVinci’s purpose is better left to others.
But here at our local auction I am captured,
wanting to lean, like John, away from the master,
get some perspective on His hands, the gist
of one opening, one closing, not a fist,
His arms apart, beholding, Jesus’ gesture—
over his empty plate and the rag-tag cast—
preparing for the word, large, or last.
Posted with permission of the poet.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
Monday, October 2, 2017
Fanny J. Crosby
Fanny J. Crosby (1820—1915) is most famous as a writer of gospel songs, having written songs that appear in virtually every church hymnal up to the present day. She wrote more than 9,000 hymns and gospel songs, besides the secular songs she wrote and the four collections of poetry she had published.
When she was six weeks old she caught a cold. While their family doctor was away, her illness was treated by a man pretending to be a doctor who prescribed hot mustard poultices to be placed on her eyes. This treatment left her blind, and caused the imposter to quickly leave town.
Her hymns were of great significance in the evangelistic campaigns of Dwight Moody and Ira Sankey. Some of her most popular songs include: "Blessed Assurance", "All the Way My Savior Leads Me", "To God Be the Glory", "Rescue the Perishing", and "Jesus Keep Me Near the Cross."
The following poem is from her poetry collection The Blind Girl, and Other Poems (1844). Crosby included an epigraph with the poem, explaining that she visited the Falls in September of 1843 with her blind companions from the New York Institution for the Blind.
Niagara
Awake, my muse! thy wings expand!
----Oh, what sublimity is here!
Niagara's mighty thunders burst
----With awful grandeur on mine ear.
Niagara! on thy brink I stand,
----And taste unutterable bliss;
What pen, what language can portray
----A scene so wonderful as this?
Father Divine!— we lift our hearts
----In humble gratitude to thee—
Who spreads the azure vault above,
----Whose hand controls the boisterous sea!
Thou bades the foaming cataract roll!
----Thou forms the rainbow tints we see!
We gaze— we wonder and admire—
----Niagara!— we are lost in thee.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
When she was six weeks old she caught a cold. While their family doctor was away, her illness was treated by a man pretending to be a doctor who prescribed hot mustard poultices to be placed on her eyes. This treatment left her blind, and caused the imposter to quickly leave town.
Her hymns were of great significance in the evangelistic campaigns of Dwight Moody and Ira Sankey. Some of her most popular songs include: "Blessed Assurance", "All the Way My Savior Leads Me", "To God Be the Glory", "Rescue the Perishing", and "Jesus Keep Me Near the Cross."
The following poem is from her poetry collection The Blind Girl, and Other Poems (1844). Crosby included an epigraph with the poem, explaining that she visited the Falls in September of 1843 with her blind companions from the New York Institution for the Blind.
Niagara
Awake, my muse! thy wings expand!
----Oh, what sublimity is here!
Niagara's mighty thunders burst
----With awful grandeur on mine ear.
Niagara! on thy brink I stand,
----And taste unutterable bliss;
What pen, what language can portray
----A scene so wonderful as this?
Father Divine!— we lift our hearts
----In humble gratitude to thee—
Who spreads the azure vault above,
----Whose hand controls the boisterous sea!
Thou bades the foaming cataract roll!
----Thou forms the rainbow tints we see!
We gaze— we wonder and admire—
----Niagara!— we are lost in thee.
Entry written by D.S. Martin. His latest poetry collection, Conspiracy of Light: Poems Inspired by the Legacy of C.S. Lewis, is available from Wipf & Stock as is his earlier award-winning collection, Poiema.
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